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The term fresco is used to indicate a type of wall
painting made with colored, mixed or water pigments, which are spread
on a fresh layer of plaster using lime as white. The plaster is
formed of two layers: the arricciato, or plaster work and the tonachino,
or top plaster. The first one is placed directly onto the support
wall and it is formed of one part of lime and two parts of sand.
The second one is made of a mixture of lime and finer sand. The
whole scene to be painted is outlined on the plaster work. The top
plaster needs to remain damp while being worked on. The painter
generally applies the damp plaster only to the area she can paint
in the day. The fresco technique requires specialization and the
ability to paint in a self assured and rapid manner. Slow progress
and corrections are just not possible.
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